Kennedy.įollowing speeches by dignitaries came a program of stage entertainment and a screening of the feature film "Oh Kay!" The theatre continued its policy of vaudeville and feature film presentation for a few months. The Radio-Keith-Orpheum organization which by that time owned the theatre was represented by the host of that great occasion, Edward F. Former Mayor James Michael Curley was also a guest of honor. The Commonwealth of Massachusetts was represented by Governor Alvan T. Cohan, Lew Fields, Joe Weber, Fred Stone, Maggie Cline, Al Jolson, Julia Arthur Cheney, May Irwin, Raymond Hitchcock, James McIntyre, Tom Heath, Will Cressey and Eddie Leonard. The opening was attended by many theatrical luminaries, among them George M. Construction was well-advanced when the cornerstone was laid on August 25, 1927, and the inaugural program took place on October 29, 1928. Keith's Boston Theatre to clear the site delayed construction for nearly a year. The building permit was issued on December 3, 1925, but demolition of B. Because it was constructed as a memorial and tribute to vaudeville's greatest impresario, it was built with a degree of luxury in its appointments that is almost unrivalled. Designed in a combination of French and Italian styles by Thomas White Lamb, one of the foremost theatre architects of his day, it was erected under the close personal supervision of Edward Franklin Albee (1857-1930 and great-grandfather of the playwright of the same name) to memorialize his late partner, Benjamin Franklin Keith (1846-1914). Keith Memorial Theatre) is one of the finest examples of the vaudeville circuit palace at the pinnacle of its development. The Boston Opera House (originally known as the B.
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